Monday, February 21, 2011

From the

 Bo Po from the network [
Wang Jiang Chen Abstract In this paper, the British calligraphy included more than the entire set of posts category Calligraphy in-depth analysis of English, pointed out that Xuan Jiang quote six lines practical significance.
key words first year (1628, Boshin), died in thirty-eight years of Qing Emperor Kangxi (AD 1699, JiMao). Kangxi thirty years (AD 1697, Dingchou) in Scholars, successful candidates, a third of a (ie, third overall), Imperial Academy award editing, when he was already 70. the calligraphy novice meters Dong, Jin and Tang after the abduction, the workers in Cursive is important to send the early Qing Dynasty calligrapher posts, including Shichen Commoner recommended Xiuming before that is history, and Zhu Yizun, Sun Yan rope and that , a lower case, the Kai, small print running script, characters running script, cursive, etc.; from the creation time to read, with Annals of the two works were created in Ren Shen (AD 1692) and Ding Chou (AD 1697), the time span of 6 years, this is Jiang Chen Ying calligraphy and art style of the golden age of maturity period. So, this post can be roughly reflect the overall Jiang Chen-British style of calligraphy. We'll post the book as a window, from the start here, to interpret Chen Ying Jiang unique style of calligraphy, Jiang Chen explore the history of the British contribution to calligraphy.
a save 29 side (lack of a book about the Qing Daoguang. The copy of the hook penetrating, well-carved extension, the word not hurt, well-preserved, called treasures.
the quote is 30 cm, 13 cm wide, divided into four volumes, each volume covers Department were , under seal Calligraphy two kings. two l inscriptions.
Jiang Chen Ying Wang Miscellaneous Posts Pro II species (Figure III), and Vivid. volumes and volumes have a Jiang Chen Mei Ying Postscripts written, are lower case. Volume Postscript said:
Tanggu has into those who are. natural gas grid no class Tang. (punctuation added by the author, with the following quotation)
Postscript end of this brochure said:
Yuan Chang said that the false, and long Rui said otherwise. calligraphy somewhat similar to chapter quote gone with the king of all weak points. However, speech shows total profit, compared with Jin Yin, cheek teeth is still a layer of flavor. October, the first two days, even the Pro Cham Park.
two Postscript posts around the authenticity of Mi Fu Wang stated comments their gains and opinion, see Jiang Chen Ying temporary posts may not blindly copy, but carefully observe the body odor, deep and you win. this post is also Lord said after the rise inscriptions.
(b) Volume II of the Two Running . One is the small print running script, recorded two poems, one both the Department of Amigos Xujun Jing Shi of the reservoir. to stay more than a desk a few year, the leisure reading Noir show off, to see the day the book vibration pen disease, as these ideas are not custodial Le. Mr. calligraphy for a long time for the Shihlin esteem, but quite difficult to be authentic, it must less Beiban World Bank. I intend to collect a dozen and ask Shangshih with this volume, and enthusiasts at home and enjoy the ancient people in a total phase. will I will have a sweet potato on the trip, too busy for this, because the first book a few words on the paper Last, to return Xu Jun. by hook approximately, regardless of the once all different days. Jiaqing Rat-nine fall after learning with-eup, Hu Shaozeng Postscript.
Hu Shaozeng the frontispiece of this .
other part of Volume II is a Seven Poems rare. The poem reads: He prison home. persimmon meteoric rise to Sapium white, winter scenery wins Chunhua line. Datacom.
presentation above. Mr. Ming Kai Fa! . who are outgoing, resembles the pseudo for. This piece of paper, really Kyrgyzstan light also. Jun treasure of his! Sheri Beam with the book of Qiantang Postscript after school, when he was eighty-one.
beam proficient with the appreciation of the book, the title of this the 81-year-old, described as sure.
presentation, Writing Sima Qian Little India WANG Yue-liter subsequently relegated to Postscripts, the son of the Sun quoted the book.
(d) volume IV of br> Lord said inscriptions after the rise in the volume, illustrates the reason behind this post:
brook Mr. Xu Ming poetry collection the West volume, Hulu Tang Guang-Wen who have the Postscript, to be carved Shixing Shi, things unsuccessful, prosperous and owned by Road Hill. Daoguang  the summer, like the three previous homes in Jun Qin Xu leave little of this volume, after I borrowed it from the pro-hook Hang Kaishu several at the same time Shangshih Meeting for the four volumes. predecessors handed calligraphy , to the public all enthusiasts, truly great event as well. intrinsic training did not forget the previous round, the first Chi Cheng Ke, Jia their intentions were more full, I was so happy with the case. Zhenhai WANG Yue-l know.
from Postscript Language can be seen, this post is like the master Hu Chin-jun, on three homes, that master of six lines Hin, after the text is Hulu Tang Kwong. Hulu Tang For this post the first death moment, Chin Bing Chengzu training three to complete this pile career, which saved precious cultural heritage of the motherland, it really is a good thing. Although the carved posts with carved posts of the disadvantages, but in that era, to complete this event, but also really difficult.
posts in Tiba shows the time, many in the Qing, Dynasty, the latest year for the dynasty (AD 1825, Yiyou). Lord said the rise in the other inscriptions, said, at right, or the Department, Pro Wang Script Department India , Zhu; that this is a study interest, Qing Jian able to win the book One impression is planned. Jiang Chen Ying calligraphy show, the first feeling is Lichtung tricks from his treatment disclosed. We wish the ginger with the ancient classics as the book to compare. All monument slowly escape. Jiang Ying Chen calligraphy, both running script, or handwriting, both characters, or the small print in the tricks of the layout are good at using Kuanshu line spacing, straight-line gas, create a simple, orderly, peaceful , restrained beauty, giving a fresh feeling of pulling popular.
Chen Ying Jiang knot words, change is very rich. he's running script, fetal breathing two kings, but also have learning meters, Dong, but not specifically which one shadow, but not a few of hybridity. He was good at the style of the several organic to melt into a furnace. calm and beautiful, it seems we got two kings; about jumping dang, Qi is with students, seems to draw on Mi Fu; Simple and Lv Yi, Hong seems to spread from the light. carefully taste, and his running script and not the various features of the whole, but has his own place: the house tightly closed, center of gravity, which is different from the other end, words each, and this is the book an important reason for the show. one word, or comfortable, or put, large or small, or odd, or are, each according to their situation, but also echoed up and down stare, as if the beating in the paper the box is not coated with ink characters, but the one who beats the beauty of Kabuki, is a real live wizard. His regular script, was divided into two types. a dignified, such as Ming Feng started to write, more than the bottom right corner there is a heavy pen or Dayton pen. started to write the law, nothing more than possession of both front and Lu Feng. Since ancient times, most people hold in esteem Tibetan front, with its cutting edge can be restrained, savings and strength, and again on the exposed front scorn. ginger Lu Feng, Chen Ying dare into the pen, the pen is not exactly the same place with the ancients, it is also the the show is another important factor. The reason why the line of floating pen, although not exposed, not slippery, not thin, not cold Kim sharp, that he restrained front line document in a timely manner cents, to slow down, has lived momentum, but also re-imposed in the lower right corner of the word Dayton pen for pen or to reconcile. Thus, the uniqueness of his pen to render out. ancient calligraphers in the late Ming Zhang Rui Lu Feng chart also like to use into the paper, he is often in the first half of a word swift pen, the latter part of the pen has stagnated, or income in a word beam part of the build enough power and potential, the next word it demonstrated the first part of a crash, so his words and Jiang Chen knot knot British left put the word also has the right to lay down on the convergence and the convergence characteristics. From this perspective, ginger Chen Ying and Zhang Rui graphs are refinements of technique of the The inter-Korean books to Mr. Reed as the first, sir, Youyi lower case letter as the first. Dong Wang m at, but formed their own features, fresh pull vulgar, aloof independence standard. line in the book, small print and better than the characters, probably sent from the post for the start of the heavy details, rules and light momentum, architecture, calligraphy to small print for the characters, and finally can not help but force a single potential thin strokes of the content is not enough rich. Jiang Chen Ying's regular script, dignified and some off not House post habits; Unconventional some, but also can not help but seem frivolous rough; and Zhong Yao, young boy, Wang Chong, compared the lack of all weather, Zhongjue not own company. Modern Wang Qian Gang, r, by the lack of special language. cover write clear pull between reed, copying the Point seeks to tame Ya. Mountain boat in the human m, when the Board, reflected in its books from ear feel speechless admiration. is.
have seen Chen Ying Jiang handwritten couplet Style calligraphy to explore causes of the history of Chinese calligraphy
Qing Dynasty is an important turning point. from the Qing Dynasty, the calligraphy had become the calligraphy schools the unprecedented differentiation. so-called as the main style features. From the Song Zhiming, post to send a very strong wind. Qing Dynasty, the book is still in vogue followed the Ming Dynasty Calligraphy, calligraphy of Emperor Kangxi loved Dong Qichang, at home and visit authentic search and exhausted, Yudie gold title, possession of Mige. Dong Qichang in the late Ming, the already world-famous Yangtze River, and then by Emperor Kangxi of the Core Tour, sound price has grown. then the house toward the examination, fasting Mountain worship, begin with the book as yet Directors; Man who son, did not dare to study the book as a director as a model, notably Charles Shibiao, Shen Quan, Chang, Da Kuang, Ho Cheuk, Wang Shi and so on. Jiang Ying Chen's calligraphy is in this context the formation of a large, his calligraphy with the distinctive mark. called Ming and Qing Dynasties, has meaning on a thin, even as Jiang Ying Chen, who labeled this ZhuoYi search of talent, it is difficult to turn the tide in both the fall. Compared with the Dongxiang Guang, Jiang Chen Ying has lost much of my calligraphy ethereal Shuaiyi, techniques is more skilled, calm atmosphere.
Jiang Chen's emulated and modeled after the British also determines the orientation of his style of calligraphy. WANG Qian Gang, Dong, who after learning of various posts Jin and Tang Dynasties. Similar conclusions, such as the Lord said l said: Kaifa specific large orders, running the scale of rates is more, 1697 AD 1692 AD), compared with 72 years of Jiang Chen Ying life course, it can only be said to be a very short period, from which he can not get a glimpse of developments in calligraphy style clear track, but this stage is The calligraphic style of the mature period, the wind from the point of view the book, but also coincides with comments from each letter I is not nonsense. preliminary outline of the context of a school book is beginner-meter Dong, Xue Yan traced Tangou Chu Yu Zhu Liu home, catching up with two kings. Jiang Wei Chen Ying's lower case no shortage of high ancient atmosphere, and Cursive are vested Dong Qichang the simple quiet and peaceful, but also the ups with Meenan Palace but also draws, even take the second king of the Merry Xiao San, from which it is not difficult to get a glimpse of Law of milk origin.
Jiang Chen, while the British as a calligrapher, or a deep accomplished writer and poet. traditional cultural immersion into the bone marrow of nourishment, but also determines the succession of his art to conform to the attitude of the . Jiang Ying Chen was born in AD 1628, 16 years old when the Ming Dynasty, is basically a grown up. As the late Ming Dynasty, on the one hand he is willing for the Ningbo Association, resist the Qing Zhang Huangyan national hero, the recommended maintenance thinking of scholars steeped in the face of foreign domination to take this attitude, the character that he can not succumb to weakness, along the side of the wave by the current prevailed. precisely because of this character, his calligraphy follow naturally when the wind within reason. Of course, Jiang Chen Ying of thought, also has a positive side, he often expounded by some of the history of ideas is quite significant, such that MR examination, the shortcomings of criminal law, exposing the court to strengthen the autocratic Ming Dongchang designed centralized, West factory, Jin Yiwei other victims of these shows that he was trying to make a difference. But these efforts is improving, he has not broken the old things, breaking the old world of vision and courage. it reflects the to his calligraphy, he is also to innovation, but this power is very weak, is the next innovation in the old order, it will inevitably be far more than the innovation of the inheritance.
Jiang Ying Chen in the calligraphy also has its unique pen. Qing Yang Bin ugly after the hearing I made the thumb side, specifically workers lower case. is the time more than seventy years has been carry. so little time or knowledge, writing, mechanics to the old, does that mean abundance after a successful test to man! also very hard, its carry on the floor has been down the old. However, to wander miscellaneous temporary or out, there are typically law-abiding G by Jin Jin. I'm in the book since that of non-married, that the school also covered the copy. Transmission and does not pass, special non-count also. Since reasonable that.
four inscriptions from the house to see all the historical position of the British Jiang Chen
rise for the Lord said, five, followed by beams with book 3. these inscriptions, the removal of research, notes and no substance, the important number is the following:
I smell BS Liangshan Zhou says: ; Cham, Mr. Park, the book, to temporary posts were for the most two kings, with its own self out of Italy, has not hit the face of the ancients. various tables, Yan Jin careful, look good Woon abuzz rare unparalleled, truly valuable. sugar plantations of their collection of. (WANG Yue L Although the human ghost, and Kai Fa Jing Yan, luster photo eyes, this small school Bo Song, Mr. Yu sixth generation descendant of days, carrying more than to show. husband Jiguangpianyu, people were Jane, and almost to the above conditions Jude zai? I would like to Xiejia Zi Sun Qiyong treasure it, fortunately not only end the ink edge of the ear. (Wuxi Qi, outside of the ink, Yukan Yu tire. this book toward the big house, micro-President, who with his return? (beam with the book thanks to the Jin and Tang Dynasties mellow faction swept all the pain. This volume Kaifa specific large orders, running the scale of rates is more, there are a Kiyotoshi pull the customs of the gas, it is God, the book also covers Mr. Jingyi.
Script is from II Kings embryos, cover, such as the European Tang Yan Liu Xue Zhu Yu Chu family, and both Zushu Xi Xian, only do not hit their appearance, so their married ear. (money Wieczorek, I met in the capital the same year, Zhu Zhujun home public money, sheath stone, both in number is liberal, and its comment on the Korean calligraphy, stone sheath that Mr. Cham Park, when the book of the gods and seek, they need not work to find the number of lines contest Mohists Zhuo. I also do not quite think that when the course, Till the dawn of the ink after reading a lot, re-read the manuscript, Mr. Cham Park, I realized that silkworm head tail, they said original ancients. sheaths made of stone not too good. (Li Changyu, Jun epitaph Postscript Jin and Tang Dynasties mellow faction swept all the pain The , glory according to Head, Evaluation of the British style of calligraphy. here the two, many have discussed previously, more than repeat them. At this point, I think representation is how to treat Jiang Chen inscriptions on the evaluation of the status of the British history of calligraphy.
inscriptions in the analysis , we can not ignore the following aspects:
First, as many inscriptions. a total of 9, 16, and non-time, one place the book, not the Department removal of three inscriptions years, first as the rest of the Qianlong DingWei ( AD 1787) Postscript Zhaojin Shi Qian Xin, Bai Yan habitat Shigao order, the latest for the dynasty ���� (AD 1825) WANG Yue-liter three inscriptions. for nearly 40 years at the time and, after inviting 9 for the 16 inscriptions, that is not random by the.
second is famous inscriptions are from the moment. girder with the book (AD 1723 - AD 1815), Qiantang (present Hangzhou) people, the Qing calligrapher, Qianlong seventh year (AD 1752) gave Scholars, Palace to the Imperial Academy Shijiang, engineering books, access to Yan, Liu, Su, m and with Fanggang, Liu Yong, Wang governance par, and that the Seal to the written document intended the Qin, slightly square off gesture, break new ground. Qian Daxin (AD 1728 - AD 1804), Jiangsu Jiading (Shanghai Jiading this person), Qing scientist, scholar, sixteenth year ( AD 1751) Gaozong Hong Li trip to the south, were given lifts by offering Fu, government cabinet in the book, Imperial Academy Shijiang degree, Guangdong school governance, and Ji Yun said , later series of , clear writer, dramatist, Qianlong twenty-seven years (AD 1762) lifts, official Yinxian magistrate, working Langhammer, muddy dark green ink, with a 1746 AD - 1818 AD), Qiantang (present Hangzhou) people, clear writer, Qianlong four years (AD 1775) Scholars, who have the Imperial Academy Shuji Shi, editing, Imperial College, libations, Tsinghua Parallel Prose Ming Xiu, and works of calligraphy, good running script, regular script, with a high evaluation. If WANG Yue-liter, called The Who and return, The ancients called hundred years, the reviewers will not act because of the face. As a responsible scholar, who will be responsible attitude to history, to evaluate an already gone to the ancients, as we are to judge 20 Kang famous early century, Changshuo, not with too many external factors. Secondly, in the new road as another extension to name the world's books calligraphy inscriptions home, but from the effort and are used to achieve a high degree of view, Jiang Chen Ying is like sending in the post, such as the forest among the peaks, and towering peaks rising one can not help but It Gaoshanyangzhi. 

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